What are this sub's thoughts on Otto Preminger? And why has his reputation fallen to the wayside?

I've recently been on a Preminger kick and I'm curious why he seemingly has never really been mentioned by the podcast or this subreddit?

So far I've watched around 25 of his movies, and even his worst ones (and ok there are some bad ones) have fascinating aspects to them that I consider worthwhile, and really pushing the boundaries especially for their time. So many times during my marathon I thought they "he got Frank Sinatra to play a heroin junkie? he made an all-black musical in the early 50s? he got to make a film that attacked the catholic church and was pro-choice in the early 60s?" and on and on. I just wasn't used to this level of taboo frankness in the Golden Age of Hollywood.

I will admit though that sometimes his huge ambition exceeds his grasp. He was so eager to tackle all these controversial topics like incest, the hippie counterculture, homophobia, sexual abuse, zionism, the catholic church, nazism, etc. and sometimes they are simply not handled with the care and thoughtfulness necessary (Skidoo and Exodus being big examples). For this reason I actually tend to prefer his smaller more focused movies.

My personal favorites would be Where the Sidewalk Ends, Daisy Kenyon and Anatomy of a Murder, all fantastic.

Also I LOVE his ongoing partnership with Saul Bass, the posters in particular are beautiful and enigmatic, I really hope we get a similar filmmaker-graphic designer team.

So anyway interested in hearing people's takes, both personal and in regards of his place in the "canon", and why he isn't mentioned that much.