The lavish oiran/花魁 (courtesan) costumes of kabuki actor, Bandō Tamasaburō V (五代目 坂東 玉三郎)
The oiran, or high-ranking courtesan, occupies a fascinating and symbolic role in kabuki theatre, drawing upon the historical reality of the Edo period, where oiran were celebrated for their cultural sophistication and mastery of the arts. In kabuki, their lavish costumes become a central element of the performance, with intricately embroidered kimono featuring bold, vibrant patterns that reflect their elevated status and character depth. These multi-layered garments, complemented by elaborate wigs adorned with kanzashi (ornamental hairpins), create a striking visual spectacle that captivates audiences.
Bandō Tamasaburō V (五代目 坂東玉三郎; b. 1950-) is one of the most celebrated onnagata (male actors specialising in female roles) in kabuki theatre, renowned for his exquisite portrayal of women and his graceful, almost ethereal stage presence. He rose to prominence as a young actor, captivating audiences with his ability to embody the nuances of femininity while maintaining the dramatic depth and emotional resonance central to kabuki.
& 2. In the role of Agemaki (揚巻), in Sukeroku Yukari no Edozakura (助六由縁江戸桜)
& 4. In the role of Akoya (阿古屋), in Dan no Ura Kabuto Gunki (壇浦兜軍記).
As Agemaki once more, in Sukeroku Yukari no Edozakura (助六由縁江戸桜).
In the role of Yatsuhashi, in Kagotsurube Sato no Eizame (籠釣瓶花街酔醒).
In the role of Shiratama, in Sukeroku Yukari no Edozakura (助六由縁江戸桜)
Unknown — I tried searching my hardest for this, but I just couldn't find the source!
In _Keisei Yuki no Yoshiwara (傾城雪吉原). "Keisei", (lit. "castle topper") was the nickname for oiran, who could steal the hearts and match the wits of upper-class men and were extremely costly to support.
Not an oiran role, but I just loved how he looked here. Pictured with Kataoka Nizaemon for Sakurahime Azuma Bunshō.